Various der poetische calamander theil 2




Content is available under the Creative Commons Attribution-ShareAlike License • Page visited 5,546 times • Powered by MediaWiki • Switch back to classic skin

In another instance, Socrates talks about ekphrasis to Phaedrus thus:
"You know, Phaedrus, that is the strange thing about writing, which makes it truly correspond to painting.
The painter's products stand before us as though they were alive,
but if you question them, they maintain a most majestic silence.
It is the same with written words; they seem to talk
to you as if they were intelligent, but if you ask them anything
about what they say, from a desire to be instructed,
they go on telling you just the same thing forever". [4]

Special Categories: Audio Book, computer-generated   Audio Book, human-read   Compilations   Data   Music, recorded   Music, Sheet   Other recordings   Pictures, moving   Pictures, still  

Ekphrasis or ecphrasis, from the Greek for the description of a work of art produced as a rhetorical exercise, often used in the adjectival form ekphrastic, is a ...

‘My Maasai’ is an initiative of Jan Hoek, in collaboration with Kenyan based photographers; Sarah Waiswa (Uganda), Joel Lukhovi (Kenya), Mohammed Althoum (Sudan) as well as students of the De-Capture Limited School of Photography.

Stores in area’s not covered by distributors, interested for consignement or wholesale, can  contact us directley .

Although Goethe had first met Friedrich Schiller (1759-1805) in 1779, when the latter was a medical student in Karlsruhe, there was hardly an immediate friendship between them. When Schiller came to Weimar in 1787, Goethe dismissively considered Schiller an impetuous though undeniably talented upstart. As Goethe wrote to his friend Körner in 1788, “His entire being is just set up differently than mine; our intellectual capacities appear essentially at odds.” After some years of maturation on Schiller’s part and of mellowing on Goethe’s, the two found their creative spirits in harmony. In 1794, the pair became intimate friends and collaborators, and began nothing less than the most extraordinary period of literary production in German history. Working alongside Schiller, Goethe finally completed his Bildungsroman , the great Wilhelm Meisters Lehrjahre (1795-6), as well as his epic Hermann und Dorothea (1796-7) and several balladic pieces. Schiller, for his part, completed the Wallenstein trilogy (1799), Maria Stuart (1800), Die Jungfrau von Orleans (1801), Die Braut von Messina (1803) and Wilhelm Tell (1804). To Goethe’s great sorrow and regret, Schiller died at the height of his powers on April 29, 1805. Of their collaboration’s historical importance, Alfred Bates commemorates, “Schiller and Goethe have ever been inseparable in the minds of their countrymen, and have reigned as twin stars in the literary firmament. If Schiller does not hold the first place he is more beloved, though Goethe is more admired,” (Bates 1906, 11: 75).


Various Der Poetische Calamander Theil 2Various Der Poetische Calamander Theil 2Various Der Poetische Calamander Theil 2Various Der Poetische Calamander Theil 2

wsuln.bargainland.us