Various der poetische calamander




‘My Maasai’ is an initiative of Jan Hoek, in collaboration with Kenyan based photographers; Sarah Waiswa (Uganda), Joel Lukhovi (Kenya), Mohammed Althoum (Sudan) as well as students of the De-Capture Limited School of Photography.

Dog Dante geniet van de tuin en wil continue dat ik zijn rubber kip weggooi zodat hij hem trots kan vinden en apporteren. Dat en zijn dagelijkse uitje naar de piazza zijn samen met, alweer, goed eten, de dingen die zijn leven gelukkig maken. Hij is ook niet voor niets hier geboren, hij is een Toscaan.

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Purchas, Samuel. Purchas his pilgrimage. Or Relations of the vvorld and the religions obserued in all ages and places discouered, from the Creation vnto this present In foure parts . 2nd. ed. London, 1614. Book 8, chapters 5-6, pp. 757, 759, 764-65. (1st ed. London, 1613.) (3rd. ed. London, 1617.) (also see Purchas his pilgrimes . London, 1625.) Enhanced account of Virginia in this second edition probably using the published Symonds' 1612 Proceedings as his source. There's more detail about Smith's captivity but still without reference to Pocahontas, for he procures his own liberty: "Smith, with two others, were beset by 200 savages his men slain, & himselfe in a quagmire taken prisoner; but after a moneth he procured himselfe not onely libertie, but great admiration amongst them, and returning, once more stayed the Pinace from flight." Pocahontas's abduction -- just lately happened -- is noted: "they took Pocahuntis (Powhatans deerest daughter) prisoner, and for her ransome had Corne, and redeliverie of their prisoners and weapons."
[Virginia history]
[ Electronic Version ]

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Although Goethe had first met Friedrich Schiller (1759-1805) in 1779, when the latter was a medical student in Karlsruhe, there was hardly an immediate friendship between them. When Schiller came to Weimar in 1787, Goethe dismissively considered Schiller an impetuous though undeniably talented upstart. As Goethe wrote to his friend Körner in 1788, “His entire being is just set up differently than mine; our intellectual capacities appear essentially at odds.” After some years of maturation on Schiller’s part and of mellowing on Goethe’s, the two found their creative spirits in harmony. In 1794, the pair became intimate friends and collaborators, and began nothing less than the most extraordinary period of literary production in German history. Working alongside Schiller, Goethe finally completed his Bildungsroman , the great Wilhelm Meisters Lehrjahre (1795-6), as well as his epic Hermann und Dorothea (1796-7) and several balladic pieces. Schiller, for his part, completed the Wallenstein trilogy (1799), Maria Stuart (1800), Die Jungfrau von Orleans (1801), Die Braut von Messina (1803) and Wilhelm Tell (1804). To Goethe’s great sorrow and regret, Schiller died at the height of his powers on April 29, 1805. Of their collaboration’s historical importance, Alfred Bates commemorates, “Schiller and Goethe have ever been inseparable in the minds of their countrymen, and have reigned as twin stars in the literary firmament. If Schiller does not hold the first place he is more beloved, though Goethe is more admired,” (Bates 1906, 11: 75).


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