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The Smile sessions were intentionally limited to recording short interchangeable fragments also referred to as "modules". [54] With "Good Vibrations", Wilson further expanded his modular approach to recording, experimenting with compiling the finished track by editing together the numerous sections from multiple versions recorded at the lengthy tracking sessions. [nb 4] Instead of taping each backing track as a more-or-less complete performance—as had been the model for previous Beach Boys recordings—he split the arrangement into sections, recording multiple takes of each section and developing and changing the arrangements and the production as the sessions proceeded. He sometimes recorded the same section at several different studios, to exploit the unique sonic characteristics or special effects available in each. Then, he selected the best performances of each section and edited these together to create a composite which combined the best features of production and performance. This meant that each section of the song was presented in its own distinct sonic envelope, rather than the homogeneous production sound of a conventional "one take" studio recording. The cut-up structure and heavily edited production style of Smile was unique for its time in mainstream popular music, [40] [57] [58] and to assemble an entire album from short musical fragments was a relatively bold undertaking. [55]

OCTOBER 14TH, 2016  - Glenn Branca performed to a packed house at Roulette in Brooklyn, New York last week where he premiered his new composition 'The Light (For David)' which was written in tribute to his musical hero and sometime collaborator, David Bowie.  The New York Times interviewed Branca about the piece and his musical connection to Bowie.  Click the pic to read.


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