Les yeux sans visage monument - single

The storyline is deliberately rooted in the pulp tradition: a mad scientist, Dr. Génessier, kidnaps runaway girls for use in his diabolical experiments. Guilt-ridden because he is responsible for the disfigurement of his daughter Christiane, Génessier peels the faces of his victims and tries to graft their beautiful faces onto the girl's ruined features. And Franju is not above the usual flaws of the genre: he is very obviously not interested in the scenes of police investigation required to keep the plot moving, and he hurries through the mundane side of the story to get back to the bizarre ménage of the Génessier household, where Christiane prowls the dark corridors in a long raincoat and an eerily blank mask, her active eyes the only sign of life. Pierre Brasseur's smug scientist is a memorable monster, more plumply self-satisfied than Bela Lugosi or Boris Karloff, mistreating the vicious dogs who finally tear him to pieces, or presiding imperiously over surgical flayings which are depicted with all the dispassionate bloodiness of an unflinching documentary. But the most radical departure from the generic norm is the role assigned to Alida Valli—perhaps a development of the Simone Signoret character in Les Diaboliques , also written by the Boileau-Narcejac team—who plays the scientist's devoted assistant. No hunchbacked Igor figure, Louise is an ambiguously sexual predator who prowls the streets of Paris in a 2CV—the car's appearance given a sinister significance by Maurice Jarre's impertinent waltz—searching for the young girls her master needs for his doomed attempts at redemption.

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Screenplay by Franju, Claude Sautet, Pierre Boileau, Thomas Narcejac, based on the novel by Jean Redon. With Pierre Brasseur, Alida Valli, Edith Scob, Claude Brasseur. This disturbing masterpiece by one of Cinémathèque française’s founders—featuring graphic depictions of young girls going under the knife as one Docteur Génessier desperately seeks a new face for his disfigured daughter, Christiane—is one of the first French horror films to disconcert French audiences. In Jean Mascii’s release poster, washed in blood red, Christiane lays gracefully with her legs crossed, her exact pose recalling Evelyn McHale, whose tragic portrait was deemed “the most beautiful suicide.” Beauty undeniably prevails over this gruesome setting.

Dr. Genessier (Brasseur) is wracked with guilt over the car accident he caused that saw his beloved daughter Christiane (Scob) suffer horrendous facial injuries. He has a notion to perform x... read the rest .

After causing an accident that left his daughter Christiane severely disfigured, the brilliant surgeon Dr. Génessier works tirelessly to give the girl a new face. He does so however by kidnapping young women and attempting face transplants. He has been woefully unsuccessful to date. The doctor's world begins to collapse around him when his daughter realizes just what he has been doing.

Les Yeux Sans Visage Monument - SingleLes Yeux Sans Visage Monument - SingleLes Yeux Sans Visage Monument - SingleLes Yeux Sans Visage Monument - Single